Moombahton (moom-bar-tonn), proper noun, also Moombahsoul, Moombahcore, Moombahstep Midtempo style (105 – 115 BPM), characterised by the same shuffling rhythms (or ‘riddims’) of reggaeton, cumbia and dancehall with heavy bass and beats, plus electro/rave motifs such as build-ups and break-downs, electronic stabs, horns, … Continue reading →

Posted in Uncategorized | Tagged Brodinski, Clubbers' Decktionary, Dave Heartbreak, Dave Nada, Dillon Francis, Diplo, DJ Chuckie & Silva Como, DJ Sabo, Mad Decent, Maluca, Matt Nordstrom, Moombahcore, Moombahsoul, Moombahton, Moombhstep, Munchi, Nadastrom, Toddla T | Leave a comment

B-more or Bmore, adjective, aka B-more Club Uptempo (120 – 140 BPM) hip hop / breaks originally from Baltimore, with an 8/4 time signature, using short, repetitive vocal samples – often call-and-response-style raps or chants – over old school drum breaks, staccato snares/ claps … Continue reading →

Posted in Uncategorized | Tagged A Tribe Called Quest, Aaron La Crate, B-more, B-more Club, Baltimore, Blaqstarr, Bmore, Booman, Chicago, Club Crack, Club Kingz, Clubbers' Decktionary, Debonair Samir, Diplo, DJ Ayres, DJ Class, DJ Diamond K, Dj Equalizer, DJ Kenny B, DJ Low Budget, Dj Patrick, DJ Spen, DJ Technics, DJ Tittsworth, Frank-Ski, Gutter Music, Hollertronix, K-Swift, KW Griff, Lyn Collins, Mad Decent, MIA, Milkcrate, Miss Tony, Paper Planes, Rod Lee, Scottie B, Shawn Ceasar, Unruly Records | Leave a comment